2021 Golden Globes Fashion Review

The Golden Globe Awards were a little different this year: There was one live host on the East Coast and one live host on the West Coast, a small live audience of masked (and tested) First Responders, and celebrities in their own homes, most of them still dressed to the nines. All things considered, it worked remarkably well. Cohosts Tina Fey and Amy Poehler know each other so well that they played off each other despite being separated by an entire continent, to the point that I occasionally forgot they weren't standing on the same stage. There were a few technical glitches, including failed audio for the first acceptance speech - which, fortunately, was rectified in time to allow the recipient to give his speech, widely varied picture and audio quality from the various stars, and hilariously awkward throws to commercial breaks that included a random sextet of celebrities on Zoom screens dealing with the same difficulties and awkwardness that the rest of us peons encounter in our Zoom sessions. But on the other hand, we got some fun glimpses into the celebrities' homes, the occasional dog wandering through the background (or foreground), and the delightful inclusion of various assorted spouses and children. (One of my favorite moments of the evening was the gentleman who gave an acceptance speech with a squirmy little girl in a party frock crawling all over his lap and throwing her arms around his neck while he spoke. ADORABLE.)

I wondered how many nominees and other celebrities would be wearing formalwear, but I was pleasantly surprised that the vast majority of them were, with only one or two stars opting for hoodies or pajamas. And there were definitely more than enough to justify a fashion blog - so here it is!

Amanda Seyfried looked lovely in a softly draped, off-the-shoulder coral gown with frothy flowers around the shoulders and a short train. The color suited her nicely, and I loved her wavy hair and understated makeup.  

 

 

Cohost Amy Poehler started the evening in a shiny black thigh-length dress with a high neck and long sleeves and metal buttons down the front. It was okay, but nothing special. I really liked her second dress, a short fitted sheath with a scoop neck, trimmed with lace at the hem, sleeves, and neckline, accessorized with a simple black neckband. It seemed much more her style than the first. Her third look was much more elegant and traditionally "red carpet," with its plunging neckline being held together with a large gold ring. It was cute and flattering, but didn't feel as much her style as the second look. No bad looks here, but #2 was the best for her. 

Angela Bassett was one of my favorite looks of the night. Her dramatic deep plum one-shouldered gown had a full marabou feather strap and a high slit. She also sported a thick, waist-length braid with a narrow plait braided into it, which added a touch of both whimsy and elegance. She looked absolutely glorious.

Awkwafina's gown was certainly eye catching, although not at all to my taste. I didn't like the colors or the color combination; I found the wavy pattern too busy, especially when combined with a very shiny finish; the tulle sleeves and under-ruffle looked out of place; the bodice was an unflattering shape; and the thick platform shoes looked clunky and overly casual. But somehow it seemed to suit her, so...thumbs up? I think.

Carey Mulligan was one of several stars wearing nicely-draped satin columns. Her ivory gown had criss-cross draping across the bodice and a small capelet. Her gown was pretty and flattering, but not terribly memorable. 

Cynthia Errivo, on the other hand, was distinctly memorable. Her vivid lime-green gown appeared to be made of a textured Spandex reminiscent of surf gear, and the slightly-too-short skirt was supported at the bottom by a single hoop, which caused it to swing stiffly as she moved. It was oddly paired with elbow-length ivory gloves. The concept wasn't terrible, but a few too many details were just a little off, and in the end, it just didn't come together. 

Elle Fanning looked absolutely exquisite in a figure-hugging ice blue, bias-cut satin column with matching shawl. I found her slicked-back hairstyle a bit too severe for her personality, but her makeup was striking and she looked simply dazzling. 

I was not a big fan of Emma Corrin's dress based on the collar alone, which was all that could be seen in her early Zoom appearances, but the rest of the dress was actually quite stylish. I would have toned down the puffiness of the shoulders and the overall volume of the collar, but the silhouette of the dress was lovely, and I liked the scattered pearls all over the dress, the silvery-white cuffs, and the deep slit. Overall, not a bad look. 

Jamie Lee Curtis hit it out of the park in this yellow draped column with long cuffs, full sleeves, square shoulders, and a deeply plunging neckline, topped by her signature silver pixie. Simply fabulous. 

Jane Fonda also rocked a short silver haircut, pairing hers with a slim white suit that emphasized her still impossibly slim figure and perfect posture. Pointed metallic kitten heels completed this tailored and polished look.

Jodie Foster went for comfy chic in Prada pajamas paired with minimal makeup, a simple necklace and earrings, and a sleek bob. She looked both comfortable and elegant. Win-win!

Julia Garner's gown was shapeless, colorless, and lifeless. The silhouette of the dress was unflattering and the wide plunging neckline was not right for her delicate frame, making her look skinny instead of sexy. The dropped waist made the overall line shapeless and broad. I think that if the top had been fitted instead of loose and the fabric had some kind of texture or hint of color to it, it could have worked. But as is, it was just blah.

Kaley Cuoco wore another gown that was much prettier when seen in full view than when seen only from the waist up. Like many red carpet gowns, it did not seem to sit quite right on her figure when she was seated. But the floaty fabric, adorned with silver patterns, moved beautifully, and the simple fitted bodice paired beautifully with the soft fullness of the skirt. A really pretty and feminine look.

Kate Hudson also falls into the category of gowns designed for standing rather than sitting. In her early Zoom interviews, I absolutely HATED this gown. The bodice did not sit right on her figure and looked very uncomfortable, and the puffy black sleeves looked shapeless and droopy. But in the context of the full look, the full black sleeves were balanced by the slim black skirt, and I love the shape of the metallic-patterned bodice and the wide belt. The bodice still sat a bit lower than was flattering, but overall I liked the look.

Kyra Sedgewick wore beautiful blush peach satin wide-legged trousers and a softly pleated, twist-front halter top with a short cape. It set off her coloring beautifully, moved well, and looked incredibly comfortable as well as elegant. 

Laura Dern frequently missteps on the red carpet, but I really loved her look here. A tailored black tuxedo with a peekaboo black shirt underneath and a wide black neckband was a great riff on standard menswear, and although I didn't love the Pinhead-esque shoes, the touch of whimsy was fun, and the bright red lips but otherwise natural makeup and simple, soft hairstyle were great accessories.

Not many people could pull off this ruffled, busy-print dress, but somehow Margot Robbie still looks stunning. A crisper fabric or a livelier color might have worked better, particularly with the interesting lines of the bodice, with its cold shoulders and thin straps.

 

Nicole Kidman was the picture of elegance in a long black halter column with a pair of metallic gold bands running down the front. I especially loved her curly updo and vivid red lipstick.

Regina King wore a black and metallic silver column that I loved except for the odd line of the asymmetrical bodice. The angled inset was pretty, but the short sleeve looked like an old black t-shirt.

Rosamund Pike's dress was a beautiful color, but the line was just...weird. The narrow bodice was straight and fitted, with wide straps, but then a huge, multi-layered tulle skirt jutted out directly from the empire waistline. I did like the narrow black ribbon trim, but the heavy black tights and clunky shoes didn't tie in. Drop the waistline to the natural waist and accessorize with sheer black textured hose and little ballet flats and this would have been a terrific look.

Salma Hayek's simple red gown featured a halter neckline, a wrapped sash, and a graceful trailing scarf over the shoulder. It set off her figure perfectly, and its simplicity drew the eye to the wearer and not the dress. Sheer elegance.

I am rarely a fan of Sarah Paulson's red carpet looks, to the point of wondering why her stylist hates her. I'm not sure if she used a better stylist or if she styled herself this time, but whatever she did, she should keep doing it. I loved her off-the shoulder, full-skirted black satin gown, her natural makeup, and her slicked-back, flipped-ends hairstyle. It was a little bit retro and a lot bit classic Hollywood glamour. I love that Prada designed her a petalled purple cast cover to go with her outfit; I only wish there had been another tiny touch of purple somewhere to truly tie the look together. 

Still photos don't quite do justice to Tiffany Haddish's striking chain-mail-inspired column. Its mirrored panels somehow managed to be barely opaque, allowing glimpses of long legs and a demure thigh-length underskirt as she moved. One of the most dramatic looks of the night.

 

 

Like her cohost, Tina Fey sported three different looks over the course of the evening. She started off in a Judy-Garland-esque thigh-length tailored tuxedo jacket over sheer textured black hose, Which was a fantastic look for her. Her second look was a matronly black-and-floral-print with an oddly stiff A-line skirt and a wide black band at the hem that made the skirt look like a cotton print apron. And her third look included a poorly-fitted gold sequin sportcoat trimmed with red-white-and-blue cuffs, which was not a bad concept, but somewhat poorly executed. Her first look was far and above her best.

Another striking and dramatic look was Viola Davis' African-inspired mermaid gown. The vivid red, yellow, and blue print dress had a fitted column for a base, but burst into a huge mermaid skirt at the knee and added asymmetrical leg o' mutton sleeves, one off the shoulder, for an amazing silhouette. 

But lest any of the celebrities above feel slighted by my commentary, or any celebrities feel bad that they didn't even make it into this blog, let me reassure every one of them that no matter what they wore, they were more well-dressed than Jason Sudeikis.